Sound Check: Deciphering the Mysterious Calls of Animals, from Birds to Belugas

Jame Balog

Sound Check: Deciphering the Mysterious Calls of Animals, from Birds to Belugas

A new book looks at the fascinating world of animal voices, and the insight they might provide into human communication.

By Frank Graham Jr.
Published: March-April 2012

Calls Beyond Our Hearing: Unlocking the Secrets of Animal Voices

By Holly Menino

St. Martin’s Press, 288 pages, $25.99


In her new book, Holly Menino describes a visit to Richmond Park in England, where big, monumentally antlered red deer dominate the meadows. Their deep-throated roars keep their harems in line and intimidate rival stags. Some hinds, however, pay little attention to their stag’s roar but respond instead to the high, whinnying calls of smaller sika deer. Marching to a different drummer, the hinds stray from the fold and produce hybrid offspring with mating calls intermediate between the two species. Scientists are curious to see if this behavior will lead eventually to the evolution of a third species.

Richmond Park is just one of the many stops in this fascinating book about deciphering the mystery of calls. A journalist and onetime music student, Menino wondered about the differences—and similarities—in the vocal utterances that are the “social glue” in our own lives, as well as in those of other organisms. Advances in recording devices in the past 30 years have triggered an explosion of projects that investigate the nature of human and animal sounds, and Menino decided to explore current discoveries and uncertainties in the study of animal communication. “Each animal, including humans like you and me, lives in its own sound universe,” she writes. “It tunes into those sounds that are critical to its existence and essential to the social life that supports its survival. Each voice, including our own, is perfectly adapted to a particular kind of place in the world and to a society.”

Take tungara frogs. In the darkness and pandemonium enveloping a Panamanian swamp, Menino encounters these amphibians, which make sense out of the cacophony created by males of dozens of species that call or, as the great herpetologist Archie Carr put it, “sing about sex.” “They are ‘tuned’ to a particular range of frequencies,” Menino writes, “making a tungara more acutely sensitive to the sounds of another tungara than to the sounds of other frequencies made by a different kind of frog.” A female tungara not only picks out a male of her own kind from the deafening nocturnal chorus but also selects the one call whose components are most pleasing to her ear. She responds, hops to him, and they mate.

Menino goes on to more complex signals. Birdsong across our planet’s temporal regions is performed almost exclusively by males. But in Panama, males and females of the black-bellied wren sing alternately. Menino listens in on the display, not in the field but from high-tech recordings played back to her from the computer of David Logue, a biologist at the University of Puerto Rico who pioneered duetting studies. A female answers the male’s low-pitched opening phrase, and then switches her “soprano” reply on cue when he continues with a different phrase—on and on together, in extended song.

[img:31706|align:left|caption:Click the play button below to listen to this black-bellied wren duet.] 






How did duetting get started? How does it help the birds survive? Logue is working to tease out the answers, but singing a duet may assure both birds that they will support each other in a crisis or suggest to an intruder that it faces a united defense.

Logue points out that neotropical migrants nesting in the north must speed their courtship to rear their young and get them back to the tropics before winter sets in. Tropical species lead more stable lives, establishing long-term relationships and, in some cases, more complex mating songs. The black-bellied wren demands a split-second response from his prospective mate, proving she is not an unknown female or a rival male. “I began to hear that the male would switch songs and the female would immediately switch her song,” Logue explains. “It was a code.”

And if she doesn’t get it right? “He attacks,” Logue said, “because he isn’t convinced she’s the female who is his mate.”

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Frank Graham Jr.

Frank Graham Jr. is a field editor for Audubon.

Type: Author | From: Audubon Magazine

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